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Building a Hybrid AX84 Guitar Amp with Reverb and Line-In Features

t6ygfr5 6372 9
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Treść została przetłumaczona polish » english Zobacz oryginalną wersję tematu
  • #1 5833426
    t6ygfr5
    Level 10  
    Hello

    I slowly mature for the construction of a small, guitar tube amplifier. For now, I review the schematics and generally understand the topic. It will not be an independent project from scratch, but probably a hybrid based on AX84, because it is relatively not very complex and well documented. I would like to implement Reverb in it, but I have not yet explored the topic - the time for questions will probably come later.
    Although I had something to do with electronics at school and college, it was more theoretical than practical. Before I get to work, it will probably take some time, but now I have some questions:

    1. issue Line-In . I would like to implement an input to connect an external CD / mp3 player or a drum machine. I understand that this input will have to have its own amplifier - just a simple amplifier on the transistors. Browse the available diagrams, however, I did not find a description of such a system. I have not seen such an entrance in available tube amplifiers. What's the problem? What then with matching the speaker to the transformer? Do you have an idea for a schematic?

    2. Headphone / Line out . Does this output have to have a specific circuit? In a few projects, I even met a "cabinet simulator", but it's probably superfluous ...

    3. External loop of effects . I am talking about a simple serial loop between Preamp and Poweramp. Two send / return + sockets are enough, or a switch that turns the loop on / off. Something this will probably work?

    3. Elements . Can I use the usual available Isostat or swivel DPDT as switches (channels, bright, briliance, etc.)? I mean, will there be some knocking, squealing and raising of the amplifier?
    Are the elements generally available in electronic stores (provided they have value in the scope of their tolerance) will they be given, will I have to purchase dedicated components? It is known how something is for a specific purpose ("tube"), it immediately flies up the price ...

    4. Starting . If I do not have an oscilloscope (I only have a multimeter), I will be able to properly start such a DIY project - I am thinking about possible troubleshooting during startup, tuning, etc.?

    Thank you in advance for any comments or suggestions. greetings
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  • #2 5834147
    jdubowski
    Tube devices specialist
    t6ygfr5 wrote:
    1. Input question Line-In . I would like to implement an input to connect an external CD / mp3 player or a drum machine. I understand that this input will have to have its own amplifier - just a simple amplifier on the transistors. Browse the available diagrams, however, I did not find a description of such a system. I have not seen such an entrance in available tube amplifiers. What's the problem? What then with matching the speaker to the transformer? Do you have an idea for a schematic?


    No problem, only such an input is rarely needed in a guitar amplifier.
    Implementation - to receive a signal of the order of 0.1..0.5V you must have 1 degree of amplification before the final lamp.
    You insert AX84 by providing a signal from an external source to the 2nd triodode (switch), it is also worth doing a bypass for the color corrector which is strictly guitar in this system.
    As for matching the transformer to the anode - there is no problem, only that in a strictly guitar amplifier it can be smaller, and you can not afford such a luxury without losing bass.

    t6ygfr5 wrote:
    2. Headphone out / Line out . Does this output have to have a specific circuit? In a few projects, I even met a "cabinet simulator", but it's probably superfluous ...

    You have to replace something with a loudspeaker, so the load end (preferably on the loudspeaker socket, disconnected with its contact) + serial handpiece through which you plug your headphones.
    t6ygfr5 wrote:
    3. External effects loop . I am talking about a simple serial loop between Preamp and Poweramp. Two send / return + sockets are enough, or a switch that turns the loop on / off. Something this will probably work?

    Note that there they added a cathode follower.
    t6ygfr5 wrote:
    3. Elements . Can I use the usual available Isostat or swivel DPDT as switches (channels, bright, briliance, etc.)? I mean, will there be some knocking, squealing and raising of the amplifier?

    Wisely used (shielding, cable length, etc.) will be OK.
    t6ygfr5 wrote:
    Are the elements generally available in electronic stores (provided that they have value in the scope of their tolerance) will they be given, will I have to purchase dedicated components?

    Remember about the capacitors for the right voltage and the appropriate power resistors.
    t6ygfr5 wrote:
    4. Starting . If I do not have an oscilloscope (I only have a multimeter) I will be able to properly start such a DIY project - I am talking about possible troubleshooting during startup,tuning, etc.?


    If you move your head, it will succeed even with the multimeter.

    Recommended reading:
    http://www.mif.pg.gda.pl/homepages/tom/
  • #3 5843863
    t6ygfr5
    Level 10  
    Hi

    Thanks for the answer. I knew this page of Tom earlier, but only now did I begin to explore its resources. As I wrote earlier, I will probably design the project on AX84, although there are a few patents on the Tom website that I would like to use.
    In general, I would like to make a 5W amplifier (SE, class A), with a reduction to 2 ... 3W - perhaps using a triode-pentode switch or another patent. The amplifier would have 2 channels: pure (typically Fender) and distorted, offering from crunch / overdrive to something like distortion (ie no hi-gain). I would like to have a separate tone and gain control for each channel, access to the effects loop and reverb. In addition, the switches enrich the sound: bright, boost, etc. Mandatory, headphones and unfortunate aux-in.

    Contrary to what you have said, the aux-in input is relatively common in guitar amplifiers, but most often transistor - I did not find a tube amplifier with an aux-in input ... (maybe I was not looking for it).
    If I understand correctly, then the way you gave (aux-in signal to the second triode grid) would result in another lamp between the preamp (also loop and reverb) and poweramp? Is there an alternative method? And if you could explain the issue of this cathodic follower just before the loop, I would be grateful, because somehow he did not pay attention to me.

    Cramps, the more I read and review the patterns the more my enthusiasm falls and the doubts grow. Ehhh :cry:
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  • #4 5843949
    Futrzaczek
    VIP Meritorious for electroda.pl
    Quote:
    If I
    Quote:
    , then the way you gave (aux-in signal to the second triode grid) would result in another lamp between the preamp (also loop and reverb) and poweramp?

    No. The grid of the second triode has enough sensitivity to be able to be controlled by the voltage that prevails on this type of input. Simply put a switch (or socket with an automatic switch) in front of this grid and select: either the signal is given from the first triodode anode or from the socket.

    Quote:
    Kurcze, the more I read and review the schemes the more my enthusiasm falls and the doubts grow.

    It's normal. It will ;) as you start building ;)
  • #5 5843979
    Marcin_zam
    Level 18  
    stołek_-92 wrote:
    You simply place a switch (or socket with an automatic switch) in front of this grid and select: either the signal is supplied from the first triodode anode or from the socket.

    From what I've understood, my colleague is talking about simultaneously using a guitar and player signal to have an exercise pad.

    Pozdr, Marvel
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  • #6 5844101
    Futrzaczek
    VIP Meritorious for electroda.pl
    Marcin_zam wrote:

    From what I've understood, my colleague is talking about simultaneously using a guitar and player signal to have an exercise pad.

    In that case, I do not understand the question of the author of the topic. It is enough to connect the "aux-in" socket with this triode grid using a capacitor with a capacity of 22nF to obtain sufficient mixing of signals. By the way, you get a free separation from the fixed component that players can spit out of the players.
  • #7 5844164
    t6ygfr5
    Level 10  
    That's what it is - Marcin_zam hit the nail on the head, it's about simultaneous feeding of signals to the loudspeaker: from the guitar after passing the entire preamp string (and loops and reverb) and from mp3 (here without any adjustment and correction, only the volume in the player).

    stolek_-92, or the signal from aux-in through the 22nF capacitor (which is ceramic, electrolyte or some other) is fed into the pentode power lamp grid (or triodes depending on the switch), right?

    greetings
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  • #8 5844379
    jdubowski
    Tube devices specialist
    t6ygfr5 wrote:
    Here's what it is - Marcin_zam hit the nail on the head, it's about simultaneous feeding of signals to the loudspeaker: from the guitar after passing the entire preamp string (and loops and reverb) and from mp3 (here without any adjustment and correction, only the volume in the player).


    I also suggested an "alternative" which I accepted as a certainty.

    t6ygfr5 wrote:
    stool_-92, or the signal from aux-in through capacitor 22nF


    I am afraid a patent in the form of a single capacitor will not do the job - unfortunately, a large part of the players have a low-energy output and the effect of such an attachment will be annoying - the player's output will jumble to the ground (maybe not quite ...) signal from the preceding stage, because the same level usually has resistance output in the order of several hundred kilo- meters.
    Ergo - a cathode / emitter / source follower must be inserted before the mixing point.

    t6ygfr5 wrote:
    stool_-92, or an aux-in signal via a 22nF capacitor (which is a ceramic, electrolyte or some other)


    Foil capacitor - 22nF is not the capacity for electrolyte, and ceramics advise in the signal path to avoid because of this capacity are made of ferroelectric material with inadequate properties.

    t6ygfr5 wrote:
    is fed to the pentode power lamp grid (or triode depending on the switch), right?


    Delete this switch (it refers to a system in which you alternatively release a "mjuzik" from the player or tear the wires). As for the place where the signal is plugged in, I would not set up the final pentode grid - there would be a voltage of several volts, which you will not get from the CD player.
  • #9 5844426
    t6ygfr5
    Level 10  
    This pentode-triode switch in addition to the power reduction (what I want, despite the low power of the amplifier, because it may be that 5W to play at home is too much) is supposed to also provide a "different" sound when the tip is in triode. At least these are the opinions of people in forums. Unfortunately, I did not have the opportunity to verify these organoleptic theories - I never had my own lantern ...
    Or maybe the solution will be a simple circuit inside the amplifier, based on transistors and amplifying the aux-in signal, and then give such a signal to the terminal grid?

    If any of you would come across such a scheme of connecting the aux-in input to the rest of the amplifier, please post it. "One picture worth a thousand words" - it is easier for the layman to understand ;)

    pzodrawiam
  • #10 5844618
    Futrzaczek
    VIP Meritorious for electroda.pl
    Quote:
    I'm afraid a patent in the form of a single capacitor will not do the - unfortunately, a large part of the players have a low-energy output and the effect of this attachment will be annoying - the player's output will jumble to the ground (maybe not quite ...) signal from the preceding stage, because the same degree usually has output resistance in the order of several hundred kilo- meters.
    Ergo - a cathode / emitter / source follower must be inserted before the mixing point.

    The capacitor will present itself with a high reactance for the signal. In connection with the leakage resistor of the control grid, something like the voltage divider should be created. In addition, if the guitar signal is too damped, you have to work with the addition of a resistor between the capacitor and the lamp grid - this should cause additional suppression of the suggestion. Of course, the patent with the ;) is more professional ;)

Topic summary

The discussion revolves around building a hybrid AX84 guitar amplifier with reverb and line-in features. The user seeks to incorporate an aux-in for connecting external audio sources like CD players or drum machines. Responses suggest that while aux-in is less common in tube amplifiers, it can be implemented by connecting the aux-in socket to the grid of a triode using a capacitor for signal mixing. Concerns about signal levels and the need for additional amplification are raised, with suggestions for using a cathode follower to manage low-energy outputs from external devices. The user also expresses interest in a 5W SE class A amplifier design with multiple channels and tone controls.
Summary generated by the language model.
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