Connecting a 6.3 Jack Microphone to XLR: Step-by-Step Guide for Sound Engineers

This question was asked by a recently met electrician, sound engineer. I don't know much about it, usually I connect a 6.3 jack-jack cable to an amplifier with the same input.

JACK STEREO XLR
Weight ----------------- 1
Ring ------------------ 3
Top ------------------- 2

JACK MONO XLR
Weight ----------------- 1
Top ------------------- 2
3 - connect to 1

Could you give me the diagram? I understand, but I can't picture it. I will be very grateful.

Added after 10 [minutes]:

I found a schematic (good?). Now the question - what - with soldered cables?

Added after 25 [minutes]:



Added after 34 [seconds]:

or

The microphone is connected only to the microphone preamplifier, the input socket of which is realized on a symmetrical XLRf connector. Practically for many years, microphone preamplifiers with jack sockets have not been used, and if anything, then only in typically amateur toys.
To connect a microphone to a preamplifier with an XLR socket, use a cable (preferably symmetrical) with XLRf - XLRm connectors.
It is best to write what amplifier and microphone it is.

Greetings.

DjMapet wrote:

, this is only in typically amateur toys.

And often in DJ's.

398216 Usunięty wrote:

JACK MONO XLR
Weight ----------------- 1
Top ------------------- 2
3 - connect to 1

Connecting pins 1 and 3 in microphone preamplifiers is not recommended due to the possibility of phantom power supply there. Firstly, it connects the power supply to ground, and secondly, it causes the dynamic microphone's diaphragm to deflect, so that it does not work in the optimal range, which affects its condition and sound. Additionally, it strongly transfers noise from the power supply to the sound.
If you do use such a connection, it would be advisable to use a microphone transformer, but it's expensive. A cheaper solution would be to connect pin3 to ground (pin1) through a capacitor (10 uF / 63V) and pin2 to the microphone output, through a capacitor. It will be safe for both the microphone and the preamplifier.

adambyw wrote:

Connecting pins 1 and 3 in microphone preamplifiers is not recommended due to the possibility of phantom power supply there.

I'm sorry my mistake. I have apparently forgotten that not every mixer can turn on the phantom individually.

adambyw wrote:

DjMapet wrote:
, this is only in typically amateur toys.

And often in DJ's.

I agree, but the vast majority of DJ equipment are typically amateur devices. Professionals in a large group of cases are already equipped with symmetrical XLR sockets, both MIC and MAIN OUT.
And I see no reason to connect the microphone to a symmetrical microphone preamplifier with an unbalanced cable.

Greetings.