Hello I am planning to buy studio speakers that have 100w bi amp (behringer k6) and are connected with an xlr cable I will need 1.5m / 3m cables
However, I read that they cannot have microphones in their names because they are thin and not suitable for loudspeakers What cables to buy? Thanks in advance for your help
I have read and know that I know even less but it is difficult to find in the stores the parameters of the cable, i.e. it is a cross-section whether this cable is a good proel is recommended but whether some series or all https://www.musicexpress.pl/pl/product/1451,proel-bulk-xlr-xlr-3m-przewod
Later they write that the cable PLN 8 / m but then I have to buy the plugs and solder myself? Do i understand
You give a regular, symmetrical microphone cable. i.e. 2 wires in the screen with XLR connectors. The cross section is not very important, very low currents flow in this cable and losses are negligible. Especially with such small lengths.
first of all, don't buy the cheapest cables. Choose something from Klotz or Mogami and Neutrik NC3FXX-B, NC3MXX-B tips. I usually make cables for MY206 and it sounds professional
it makes no sense to buy anything branded for a beringer, a simple microphone and hajds
I used to think there, and now let me disagree. Good quality equipment always pays back. Is it a good plug or cable, you just forget that you have something like that, and you only use it and do not deal with finding problems.
it makes no sense to buy anything branded for a beringer, a simple microphone and hajds
Exactly as colleague adambyw. Will you buy anything and it turns out that it is hum - according to your reasoning, it has nothing to do with the cable? And how to stop playing after a week / month, of course, Behringer fell, because the cable / plug had no right? Forgive my friend, but you are in the TECHNICAL forum and in addition in the STUDY TECHNIQUE work. By proposing such a solution as you specified, you expose the subject's author to additional costs and stress.
Only that the behringer has nothing to do with STUDY equipment. Even the cubes in the power amplifiers are made of plastic tower boom box from the bazaar - evidence? google.
In order not to spam and wander, I advise a colleague to avoid the crap and buy even! Dynaudio Audience 52 or BM5P speakers and a boost on discrete components such as AB Professional or Alesis RA ... possibly underrated Tittini Bittner (with a frequency range of 1-35khz + -1db measured!). Next, it makes sense to ask about cables.
If I'm wrong, please admin to divide the forum into studio equipment and home equipment ... for sound soap.
Very low voltages of mV and negligible currents flow between the sound source and amplifiers - each thread type cable up to a distance of 6m will work. Later you have to reckon with interference.
Only that the behringer has nothing to do with STUDY equipment.
You'd be surprised how many studios their equipment is used for.
mauzer wrote:
each thread type cable up to 6m will work.
Yes, it will work, but a weak cable has an impact on the sound, once, two solid screens - on susceptibility to interference (e.g. from a phone), three durability. For this I will always recommend buying good cables for even average quality equipment. I converted it myself, crap cables with crap plugs, the need to review them at least once a year. Because of the insulation. I used to do rca cable tests, 1.5m, or you can hear the difference in sound between the cables. Because I am an audiovood skeptic. I took 3 cables, one thin, added to some home equipment, the other noname, but looking quite solid, 4mm thick, the third brand vandamme interconnect. While the difference between the last two was barely audible, there was a gap between the first thin and the thicker ones. Weaker dynamics, the sound clearly darker. For this reason, I think that recommending a thread type cable is at least an understatement of the level of this forum.
And additionally, I recommend that you become interested in the not-so-popular topic of quad cables, and their interference resistance. To not be groundless: https://www.youtube.com/watch?v=9ckp5CYBBjE
The discussion centers around selecting appropriate XLR cables for connecting 100W Behringer K6 studio monitors, emphasizing the need to avoid microphone cables due to their thinner construction. Recommendations include using high-quality cables from brands like Klotz and Mogami, paired with Neutrik connectors (NC3FXX-B, NC3MXX-B). Users highlight the importance of cable quality for sound integrity and durability, suggesting that even average equipment benefits from good cables. Some participants argue against using low-quality cables, citing potential issues with sound quality and interference. The consensus leans towards investing in reliable cables to ensure optimal performance of the studio monitors. Summary generated by the language model.
